|Hanging out with Al.|
Karyn previously taught physics at the high school, undergraduate and graduate levels. As a teacher, she sought to connect the science of the curriculum with the everyday life of her students and to instill lifelong skills for learning. Karyn completed graduate work at the University of Virginia and also studied at the University of Stellenbosch (South Africa). She has trained physics teachers through the University of Virginia’s Physics department and traveled to South Sudan to conduct professional development training for local teachers. She has more than 10 years of experience developing and teaching online courses.
In addition to her science work, Karyn maintains a freelance graphic design studio. Her latest project was a work on Ancient Near Eastern royal inscriptions.
DXS: First, can you give me a quick overview of what your scientific background is and your current connection to science?
|Karyn enjoys creating art with...LEGOS!|
Although I attended excellent public schools, I had to overcome some significant challenges. Our family was one of the only ones in our town designated as eligible for the new free lunch program, and I started high school when Title IX was passed (go ahead, do the math). This was an exciting time for girls in school--but not just for sports (our legacy to our 8th grade class was a change in our public (!) school policy to allow girls to wear jeans).
I was thrilled to be the one of two females on our Math League squad and to have access to advanced science courses and labs in high school. It seems I always took a circuitous route though. I helped change the rules so that I could graduate in 3 years. I was very fortunate to have lots of opportunities after graduation (including being recruited for the first female class at West Point). But then, I took on other responsibilities and went back to school later to finish my degrees.
In addition to research, I have taught high school physics and physical science, undergrad physics (I especially liked the Physics for Non-Science majors!), and helped to develop a degree program in the university physics department for high school physics teachers. I’ve led sailing trips in the Bahamas for biology students and I’ve been trained by the American Meteorological Society to use live data in classrooms. I’ve even been a programmer. Obviously I’m interested in too many things for my own good.
Currently, I am the Executive Director of ScienceOnline, a non-profit organization that facilitates discussion about science through online networks and face-to-face events. We welcome all to the conversation – scientists, journalists, librarians, educators, students, and anyone interested in engaging in science. Four words that help to define ScienceOnline are: Connections, conversations, collaborations, and community. We also develop projects that work to connect scientists and their research to the public. I'm thrilled to be representing this thriving community, and I enjoy working with so many talented, brilliant, and fun people.
|Karyn has traveled to South Sudan to conduct professional development training for local teachers.|
I have an insatiable thirst to learn and try new things, which has resulted in a string of very diverse jobs. Over the years my creative activities (and jobs) have included medieval calligraphy, art, photography, mathematics (I count this as creative), LEGO creations, graphic design, garment creation, gardening, construction projects, violin/guitar (as musician and also instructor), studying ancient languages and writing systems (both real and created).
On the surface, many people think these are not “science-y” but really, they are all about science. Seeing that connection is something I love to introduce people to. My science career has included research that helps create more bio-fidelic crash test dummies (I worked with cadavers--this makes for great party stories), meteorology, high school physics teacher, and university physics instructor. I used to think that people would think I was flighty or unable to commit to a project. Now I see the benefits of having been successful at so many different skills and fields of study. The key was seeing how they all tapped into my curiosity and creativity.
DXS: Do you find that your scientific background informs your creativity, even though what you do may not specifically be scientific?
Definitely. Paying attention to the details of the world gives me opportunity to see beauty, symmetry, order, and chaos in unusual places. I am thrilled by the macro and the micro vision of our universe and lives (which is why I continue to study other fields of science in addition to physics). These are not only realms to explore with experiments, but to experience emotionally and to communicate creatively. I have learned to appreciate the details in science and that carries over into the art, photography, design, and construction projects that I may spend time on. Even my tattoo (snow crystals) reflects both beauty and science (and a lot of personal meaning too!)
DXS: Have you encountered situations in which your expression of yourself outside the bounds of science has led to people viewing you differently--either more positively or more negatively?
I think that sometimes the more conventional creative side of my life makes me seem more “human” and approachable. When non-science people ask what I do, I don’t usually start with “physics” in the answer because that often is hard for people to relate to and the conversation dies. But if they get to know some things I am interested in or the diversity of things I’ve created, and THEN learn about my science background, they are more likely to perceive me as more than a physics geek. At that point they feel more comfortable asking questions about science.
On the other hand, some of my science colleagues in the physics department saw those other activities as something that took me away from time that could be spent on physics. Even if they thought my non-science activities might be amazing they minimized their value. Thinking back now, maybe this is why I keep so much of what I do to myself and it takes time to draw out of me all the things that I have had the joy of learning and doing.
I think there is a geek aspect to many of the things I like to do. They don’t completely overlap with the same brand of geekiness though. It’s just that you align yourself with a community that is very engaged in a certain niche. A tribe if you will. Some of these tribes don’t understand each other very well, so I sometimes feel like an ambassador of the various communities I am a member of.
DXS: Have you found that your non-science expression of creativity/activity/etc. has in any way informed your understanding of science or how you may talk about it or present it to others?
|Karyn collecting water samples in Molokai, Hawaii|
DXS: How comfortable are you expressing your femininity and in what ways? How does this expression influence people’s perception of you in, say, a scientifically oriented context?
I really tried to think about this carefully. In the physics department at the university where I worked, my main concern was not the fact that I was in the minority (or that there were more men’s rooms in the building), but that the lab was freezing and I needed to keep warmer layers at work to survive! Basically, the lab protocols determined what kind of clothing and shoes I could wear, how I kept my hair (out of the way!) etc. I never felt those things were anything particularly against being feminine, but I didn’t go out of my way to wear makeup or dress special.
On the other hand, I do think that female visitors and students who dressed more feminine were definitely treated differently. I desperately wanted to be valued for my ideas and work ethic and not what I looked like or which bathroom I used, so I was probably more affected by others attitudes than I realize(d).
Probably the most feminine thing I’ve ever done was to have children and show my priority for them (I realize that there are fathers who do this too, so it may be more a parent thing than a feminine thing, but in the society I live in, it is still the mothers who bear the lion’s share of the responsibility for child-rearing). I had colleagues who could not understand some choices I made because of family. They felt I was wasting my potential (whatever that means!).
Now that I am not in a lab and don’t have small children at home, I alternate between tomboy and professional attire. I do like that it is easier to create a more feminine professional wardrobe these days.
I find it odd that women are complimented for their appearance more than men. I don’t think people realize how out-of-balance this is. I try to notice and mention men’s clothing and appearance as a small step toward equalizing that.
DXS: Do you think that the combination of your non-science creativity and scientific-related activity shifts people’s perspectives or ideas about what a scientist or science communicator is? If you’re aware of such an influence, in what way, if any, do you use it to (for example) reach a different corner of your audience or present science in a different sort of way?
I think that getting the attention of whatever audience you are addressing is paramount. You may have something wonderful to share, but if you don’t have their attention, it will fall to the ground. I want to develop a relationship with people in order to get them to trust me, believe me, and be interested in what I have to say. Dispensing information is not enough.
The manner in which I communicate makes all the difference in how the person will engage the topic. To do this, I need to listen first and understand who my audience is. Using creativity, I will then try to connect with each person or audience in a way that I hope will best bring them along the journey I have experienced. Some people will want to know more specific details, others will want to know how it affects their lives, and still others will challenge and question my thoughts and methods.
Using visual arts (e.g. fine arts, video, etc) can be as important as a data chart. As long as the conversation continues, then I have been successful in communicating. My goal is to make someone (whether a researcher or a teenager) so interested that they will take on a search for more information on their own. That’s really how we learn and retain best—to explore something we have invested our own time in.
I also use a variety of outlets for communication. There are definitely important and different roles for journals, conference presentations, Twitter, blogs, Google+, etc. These diverse outlets are just as important as creative ways of presenting material. Again, you must always be aware of your audience. I would use a museum’s Twitter account to communicate differently than I would my regular account.
DXS: If you had something you could say to the younger you about the role of expression and creativity in your chosen career path, what would you say?
Knowing myself, I’m not so sure that the younger me would listen to any advice I would give! In some ways, going through the experiences is what made me who I am and there are no short cuts for that. However, there are definitely things that would have been great to learn earlier on.
So, I would tell the younger me not to try to keep creative interests and career objectives separate or think that they have to be at odds with each other. They don’t need to be in competition for your attention. Creativity, job skills, life experiences, and responsibilities can interweave. You will not only be more content, but probably more productive in all your endeavors.
I would also tell her that “no” is not a dirty word and that it is ok to be selective in how you spend your time.